The “Onegin. An open ending” exhibition at the Tchaikovsky Museum

Museums · 2024

The “Onegin. An open ending” exhibition at the Tchaikovsky Museum

Museums / The “Onegin. An open ending” exhibition at the Tchaikovsky Museum

About the project

Software for two interactive exhibits of the “Onegin. An open ending” exhibition at the Tchaikovsky Museum in Moscow: a mirror that turns the visitor into Onegin or Tatyana, and “The ball”.

On 21 September 2024, the exhibition “Onegin. An open ending” opened at the P.I. Tchaikovsky Museum in Moscow, one of the museums of the Russian National Museum of Music. It marked the 225th anniversary of Pushkin’s birth and the 145th anniversary of the premiere of Tchaikovsky’s opera “Eugene Onegin”. The exhibition was prepared with the participation of the P.I. Tchaikovsky Museum-Reserve in Klin.

The exhibition tells the story of the novel and the opera at the same time. The visitor chooses a route — “Tatyana”, “Lensky” or “Onegin” — and puts together their own version of the events and the ending.

We wrote the software for two of the exhibition’s interactive exhibits: the “‘Onegin’ interactive mirror”, which transfers the visitor’s face onto a portrait of a character from the novel, and “The ball”.

Year

2024

Industry

Museums

Scope of work

Software for 2 interactive exhibits: the “Onegin” mirror and “The ball”

Venue

P.I. Tchaikovsky Museum in Moscow, 46/54 Kudrinskaya Square — the “Onegin. An open ending” exhibition

2
interactive exhibits
11 days
from signing the contract to delivering the software
21.09.2024
exhibition opens
The word “Onegin” between portraits of Eugene Onegin in a top hat and black frock coat and Tatyana in a burgundy dress against a sky with clouds
Onegin and Tatyana, the characters of the interactive mirror

The task

The exhibition invited visitors to try on the role of a character themselves. The mirror required a choice of character, a photo with the face transferred onto a ready-made portrait, a QR code to collect the photo, and the option of taking a new one straight away. “The ball” needed a program that starts a video on a signal from a motion sensor. All of it was due by the opening on 21 September, which left less than two weeks for the work: the contract was signed on 9 September and the work was handed over on the 20th.

What we did

The “Onegin” interactive mirror

The start screen reads “Become a character in the novel”. The visitor chooses a character — Onegin or Tatyana — stands in front of the camera and presses “Create photo”; while the picture is being processed, the screen shows “Turning you into Onegin”. The program transfers the visitor’s face onto a portrait of the character in costume: Onegin in a top hat and black frock coat, Tatyana in a burgundy dress. The finished portrait appears on the screen together with a QR code: the visitor scans it and downloads the photo to their phone. The “Take another” button returns to the start.

The vertical mirror screen: an arch reading “Become a character in the novel” between portraits of Onegin and Tatyana against an autumn landscape, with the prompt “Tap the screen” below
Mirror interface: the start screen “Become a character in the novel”
The “Choose a character” screen: two arch-shaped cards — Onegin and Tatyana against a ballroom, with the prompt “Tap a card” below
Mirror interface: choosing a character — Onegin or Tatyana
Waiting screen: Onegin in a top hat in the middle of a ballroom, a star symbol in the centre and the caption “Turning you into Onegin”
Mirror interface: the waiting screen “Turning you into Onegin”
Screen with the finished portrait of Onegin in an arch, a QR code below it with the caption “Scan the QR code to get your photo”, and the “Take another” button underneath
Mirror interface: Onegin’s portrait, the QR code and the “Take another” button
Waiting screen: Tatyana in a burgundy dress in the middle of a ballroom, a star symbol in the centre and the caption “Turning you into Tatyana”
Mirror interface: the waiting screen “Turning you into Tatyana”
Screen with the finished portrait of Tatyana in an arch, a QR code below it with the caption “Scan the QR code to get your photo”, and the “Take another” button underneath
Mirror interface: Tatyana’s portrait, the QR code and the “Take another” button
Visualisation: the “Smile” camera window and the “Create photo” button on the Onegin and Tatyana screens
Visualisation: a stand with a vertical screen, the start screen “Become a character in the novel”

“The ball”

The visitor approaches, the motion sensor sends a signal, and the program starts a video.

Horizontal screen: an arch reading “The ball in the opera ‘Eugene Onegin’” with the banner “You are invited to the ball” between portraits of Onegin and Tatyana in an autumn park, with the prompt “Stand on the mark” below
Interface of “The ball”: the start screen “The ball in the opera ‘Eugene Onegin’” and the prompt “Stand on the mark”

How it is built

The mirror runs on a vertical touch screen with a camera: in the corner of the screen the visitor sees themselves and the caption “Smile”.

“The ball”: the program passes the motion sensor’s signal to the player, which starts the video file.

Result

Both programs were handed over on 20 September 2024, the day before the exhibition opened. The exhibition opened on 21 September and, as announced, was to run until 12 January 2025. In the Ministry of Culture’s news item about the opening, Mikhail Bryzgalov, Director General of the Museum of Music, lists among the exhibition’s features the chance to “try on Onegin’s costume” and to “immerse yourself in the atmosphere of a ball of that time”.

Ministry of Culture of Russia — “The Museum of Music invites visitors to try on Onegin’s costume and attend a 19th-century ball with the help of artificial intelligence at an exhibition for Pushkin’s anniversary”
P.I. Tchaikovsky Museum-Reserve — “The exhibition ‘Onegin. An open ending’ opens at the P.I. Tchaikovsky Museum in Moscow with the participation of the P.I. Tchaikovsky Museum-Reserve”

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